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In 1984, the Beasties joined forces with producer Rick Rubin, a heavy metal and hip-hop fan who had recently founded Def Jam Records with fellow New York University student Russell Simmons. By early 1984, however, they had abandoned punk and turned their attention to rap. Based on a prank phone call the group made to Carvel Ice Cream, the single became an underground hit in New York. The revamped group released the rap record "Cookie Puss" as a 12" single later in 1983.
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By early 1983, Schellenbach and Berry had left the group - they would later join Luscious Jackson and Thwig, respectively - and Horovitz had joined the Beasties. That same year, the band met Horovitz, who had formed the hardcore group the Young and the Useless. The following year, the Beasties released the 7" EP Pollywog Stew on the indie label Rat Cage to little attention. Diamond and Yauch formed the Beastie Boys with drummer Kate Schellenbach and guitarist John Berry in 1981, and the group began playing underground clubs around New York. May 4, 2012), and Ad-Rock (born Adam Horovitz, October 31, 1967) - came from wealthy middle-class Jewish families in New York and had become involved in the city's punk underground when they were teenagers in the early '80s. Mike Diamond, November 20, 1966), MCA (b. All three members of the Beastie Boys - Mike D (b. It was a remarkable turn of events for a group whose members demonstrated no significant musical talent on their first records. Check Your Head brought the Beasties back to the top of the charts, and within a few years, they were considered one of the most influential and ambitious groups of the '90s, cultivating a musical community not only through their music, but with their record label, Grand Royal, and their magazine of the same name. The Beasties refined their eclectic approach with 1992's Check Your Head, where they played their own instruments. In retrospect, Paul's Boutique was one of the first albums to predict the genre-bending, self-referential pop kaleidoscope of '90s pop. For much of the mid-'80s, the Beastie Boys were considered macho clowns, and while they dismissed that theory with the ambitious, Dust Brothers-produced second album, Paul's Boutique, it was ignored by both the public and the press at the time. Of course, the exaggerated b-boy and frat-boy parodies of their unexpected hit debut album, Licensed to Ill, didn't help their cause. aesthetics of hip-hop and punk weren't that far apart. But the Beasties weren't pirating - instead, they treated rap as part of a post-punk musical underground, where the D.I.Y. As the first white rap group of any importance, the Beastie Boys received the scorn of critics and strident hip-hop musicians, both of whom accused them of cultural pirating, especially since they began as a hardcore punk group in 1981.